OUR PORTFOLIO
The play tells the story of Dona Alma, a woman approaching 80 years old who lives
alone and spends her nights watching jewelry auctions on television. A widow, she
raised her three children, Paulo Horácio, Paola Helena, and Paulo Henrique, always
keeping them close, thus maintaining a good relationship with her family. As usual,
she gathers her children, grandchildren, and other relatives for lavish Sunday
lunches. On this particular occasion, they are planning a surprise for her, as it’s
Mother’s Day and everyone managed to be present.
begins to realize that the guests do not feel as comfortable as expected. Amidst
revealed secrets, bluntly spoken ironies, resentful outbursts of hurt feelings, and
unexpected surprises, everything unfolds with a lot of humor. This is a family like any
other, where despite emotional and ideological conflicts, everyone loves each other
unconditionally. It’s a comedy that not only makes the audience laugh but also
addresses important subjects such as family dynamics, parental expectations of
children and vice versa, career choices, achievements, frustrations, dreams, empty
nest syndrome, and most importantly, Alzheimer’s disease.
Playwriting and Direction: Dan Rosseto | Production Direction: Fabio Camara | Cast: Iara Jamra, Ivan Parente, Nicole Cordery, José Trassi, Larissa Ferrara, Felipe Hintze, Vanessa Goulart, Daniel Ortega. | Off Participation: Carolina Stofella | Assistant to the Director: Sabrina Rodriguez | Production Assistant: Lippe, Luis Fernando Paes | Set Designer: Luiza Curvo Cenotécnica: Priscila Alcebiades | Upholsterer: Murilo Carraro | Costumes: Thaís Boneville | Seamstress: Lili Santa Rosa | Visagism: Louise Helène | Lighting Design: Wagner Pinto | Lighting Assistant: Gabriel Greghi | Lighting Operator: Jorge Leal | Original Soundtrack: Branco Mello, Bento Mello | Soundtrack Credits: Bento Mello (guitar, bass and drums), Márcio Lomiranda (piano and drums), Branco Mello (editing and mix), Angela Figueiredo (production and research) | Sound Operator: Allan Moreira | Vocal Coach: Gilberto Chaves | Graphic Design: André Kitagawa | Photos: Felix Graça | Social Media: D2One | Press Officer: Fabio Camara | Produced by: Bravíssimo Produções, Applauzo Produções, Lugibi Produções
The play “Madwomen” recounts, through letters sent and received, the days of Mariado Pilar, who was admitted to a mental asylum at a young age. An artist ahead of her
time, with avant-garde thoughts, she was misunderstood by her family and the
society of her era.
who were forced to give up their lives, locked away in psychiatric hospitals simply for
thinking, questioning, and having opinions.
Playwriting: Sandra Massera | Direction: Dan Rosseto | Production Direction and Translation: Fabio Camara | Cast: Carolina Stofella | Singer: Gilberto Chaves | Pianist: Leandro Roverso | Production Assistant: Lippe | Costumes: Kleber Montanheiro | Costumes Assistant: Thaís Boneville | Lighting: César Pivetti | Set Designer: Dan Rosseto | Visagism: Louise Hèlene | Lighting Operator: Allan Moreira | Photos and Video: Thaís Boneville | Graphic Design: Leilane Bertunes | Press Officer: Fabio Camara | Social Media: D2One | Produced by: Bravíssimo Produções, Applauzo Produções e Lugibi Produções
one of the main Brazilian personalities in the United States, she returned to Brazil for
a show at the Cassino da Urca. Upon being received by the Rio de Janeiro elite, who
were linked to the integralist ultra-nationalist movement, the singer was booed for
allegedly “selling out to the American government.”
internal dialogue Carmen had with herself during this time, portraying how she might
have reacted in the dressing room of the Cassino da Urca.
speaking about. In her first public appearance, our protagonist presents a story of
love, the purest and most unconditional love one can feel. The love of a mother.
faced with their children’s reality, reinvent themselves, rebuild themselves to maintain
their offspring’s dignity. Lioness mothers who pounce with sharp claws on those who
try to harm their children out of prejudice or ignorance. Mothers for diversity, mothers
willing to reorganize their homes, their families in respect and dedication to their
children’s choices.
Playwriting and Direction: Márcio Azevedo | Cast: Rosane Gofman | Production Direction: Fabio Camara | Music: Pedro Mendonça | Musical Direction and Soundtrack: Tauã de Lorena | Lighting: Aurélio de Simoni | Costumes: Anderson Ferreira | Set Designer: José Carlos Vieira | Visagism: Thiago Andrade | Production Assistant: Carolina Stofella | Lighting Operator: Jackson Oliveira | Visual Programing: Gabriela Cima | Poster Photos: Nanah Garcia | Scene Photos: Roberto Cardoso | Social Media: D2One | Press Officer: Fabio Camara | Produced by: Bravíssimo Produções e Lugibi Produções Artísticas
Yerma, the titular character, is newly married and excited to have children with herhusband, João. As time passes, Yerma is unable to conceive, and her excitement
turns into worry, escalating to obsession.
contemplating an extramarital affair to become pregnant. Her desperation intensifies
as she questions her own identity and the worth of being a childless woman, unable
to accept that she may never have children of her own.
Based on the play by: Federico García Lorca | Translation and adaptation: Sabrina Rodriguez | Direction and text supervision: Dan Rosseto | Production Direction: Fabio Camara | Cast: Angela Figueiredo, Dan Rosseto, João Fenerich, Lippe, Sabrina Rodriguez e Thaís Boneville | Lighting Design: Nicolas Manfredini | Scenography: Luiza Curvo e Priscila Alcebiades | Set Designer: Priscila Alcebiades | Costumes: Thaís Boneville | Lighting Operator: Nicolas Manfredini | Sound Operator: Priscila Alcebiades | Physical Coach: Bruna Longo | Vocal Coach: Gilberto Chaves | Photos: Felix Graça | Graphic Art: André Kitagawa | Press Officer: Fabio Camara | Produced by: Bravíssimo Produções, Cia 4 Nos, Applauzo Produções e Lugibi Produções